Comes in an eco-friendly sleeve with original cover art by Libby DeCamp, and includes immediate digital download
Includes unlimited streaming of Cross Sections
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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lyrics
There was a time
When I used to lie
On dirty beaches
And measure every inch of the moving tide
And there was a day
When I could move things out of my way
Lift with my legs and
Still have time at the end of the day, return
Home
Just in time to come and put the kettle on
History bleeds dark green
Bugs and beasts follow me
Every nutrient of need
Buckles in place, waiting to be saved
And every piece of the puzzle
Said what won't and what will
Leave its dent on us
A shady patch, a dainty buzzkill
What's wrong
I'm gonna need someone to put the kettle on
I am in the backseat
Waiting for a driver
How can I expect my
Crops to grow higher
What I used to sow from the
Fields is dry
I allowed the spread of weeds and
Wondered why, oh,
What is wrong
Got what I need but I've got to put the kettle on
Got what I need but I've got to put the kettle on
credits
from Cross Sections,
released February 27, 2016
Percussion- Adam Schreiber
Upright bass- Brandon James
Guitar and violin- Libby DeCamp
supported by 10 fans who also own “Put the Kettle On”
Sierra Ferrell's music is the nectar that drips from vocal chords of angels on ecstacy and percocet, dripping with honey, and smelling of grandma's brownies. It has been proven to "cure what ails ya", and it temporarily wards off the existential dread that is slowly encompassing us all. Don't let the absurdity of our existence get you down. Listen to Sierra Ferrell instead.
I am me and I approved this message. oldmanj716
supported by 10 fans who also own “Put the Kettle On”
I made a blind purchase of the cassette edition from my local Half Price Books, and the download card that came included with it was still valid! VOIDMAKER.EXE
supported by 9 fans who also own “Put the Kettle On”
This is the first album I found that really spoke to me as a young fem.
From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle. clementinehatepageichangedmymind
A vibrant vision of "Central Americana" from the Costa Rica-based artist, blending heartland devotionals with playful Tropicália grooves. Bandcamp New & Notable Apr 27, 2022